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Better Pitch Recognition 1: Identifying The Perfect Pitch Sound



Introduction: All great musicians have great ears, a trait that is absolutely required amongst all musicians. Most choose to develop their ears in the way of relationship of one note to the next, but is that really ear training? or is it just memory?

Step 1: The Key to learning how to recognize pitches is first to learn how each one of them sound unique. There is only one way to do this. It is to listen to each one separately and explain how it is different from all the other notes in the chromatic scale. So here is the first exercise and probably the most important of all the steps. DO NOT SKIP IT!!!!

Exercise 1: Take a piece of paper and write down all 12 notes on it like this.

A-
A# (Bb)-
C-
...and so on until you have all 12.

Once you have done that, grab the instrument you have the most experience with and play any of the 12 notes. Play it over and over, and listen to it carefully. Sometimes it’s better if you close your eyes while you play the note, so you can focus only on the sense of hearing. Don’t look for anything in the note, just listen without trying to hear anything. After you have hear it a couple of times, next to that note on the paper write any description about that note you want. I’m going to use F# as an example.

F# (Gb)- Sounds sort of like saying the word “weir”. Has a little bit of buzz in it that makes it sort of twangy sounding. Vibrant sort of like the color “red”.

Go through all 12 of the notes, if you get stuck on one just go to another note. You can describe it any way you want, using colors, feelings, words, doesn’t matter. Don’t worry about describing them differently right now, just how you hear them. The only thing YOU DON’T do is describe them by how high or low the note sounds. Kind of kills the point if you do, cause it’s not a matter of highness or lowness.

Now Once you have described all 12 notes, go back and look over them and see if any of them have sort of the same description. Which there will probably be a few, cause a lot of different notes may sound vibrant and mellow. Just go though those again and write something different about them that helps distinguish between the others. Do this until all the notes have a uniqueness in there description.

Once you are done with that, you have completed step1.



Key = ???


E |-------------------------------|----------------------------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

E |-------------------------------|----------------------------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|






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